Cefn Coed Viaduct

If you drive up from Cardiff along the A470 towards Brecon, one of the many great sights that you’ll see is the Cefn Coed Viaduct just to the south of the Heads of the Valleys road. Originally built as part of the Brecon and Merthyr Railway, the viaduct was converted into a public footpath during the late 1990’s with the help of the Heritage Lottery Fund.

The viaduct itself is accessible from the two lay-bys just south of the A465 / A470 roundabout. It’s possible to walk over it, or to descend via a rough gravel track down to Tai Mawr Road (itself a muddy track) to walk under it. The viaduct crosses the Taff Fawr (one of the two tributaries of the River Taff); there’s a great view of this from the old bridge at Pont-y-capel.

Thoughts On The Day

Boy was it wet – one of those very Welsh days when it’s not so much raining as just sodden in the air. Although the D200 has excellent weather seals, I didn’t fancy the chore of keeping the lenses dry, so I opted instead to go with the convenience of my trusty IXUS 400.

I’m looking forward to going back to the viaduct during the summer. With leaves on the trees and blue skies overhead, not only will it make for a great day’s photography, but it will also make for a great afternoon’s walk.

Favourite Photo From The Shoot

Cefn Coed Viaduct From Tai Mawr Road

This black and white shot of the arches of the viaduct from down on Tai Mawr Road is my favourite photo from the shoot. It’s the detail of the brickwork that does it for me; I’m really pleased with the results of converting this image in Aperture. The original colour photo is also up on Flickr.

Three Tips From The Shoot

  • Always shoot in colour, even if the final images are to be in black and white. It gives you more options, because you have all those colours available to adjust – those options are gone if you shoot straight to black and white. One example is this image taken from on top of the viaduct. I adjusted the blues in the photo first, to ensure that the wet stone that’s in focus matched the tone of the rest of the wall as it disappears into the distance.
  • Pixel count does matter, to a point. My photo of a man walking his dog is a crop taken from the top corner of the original image. It’s such a small crop, there’s hardly any more detail to be had from the shot. This image would have benefited from a few extra megapixels.
  • Explore a little. When I arrived at the viaduct, I didn’t know about the old bridge slightly upstream. But I’m glad I spotted it, and made my way down to it. In the end, I got more good photos from the walk down to that bridge and back than I did from my original planned journey across the viaduct.
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